With their light build, Adirondack Spruce tops, and scalloped brace voicing, I am strongly interested in all models from the classic late s through period. I like to have good sounding examples of the larger OOO and Dreadnought sizes in the postwar tapered brace voicing period of through with Adirondack Spruce tops ending for all models by late and Sitka Spruce tops being used exclusively in The beefier build style starting in progressing up through the mid s produced some really great Dreadnoughts for Bluegrass and other heavier playing styles where volume and clarity are important. Scattered throughout the s and early s, but most notably in the period Martin used light, but strong Engelmann Spruce tops on some of their guitars. Many dealers currently mistake and misname this lighter colored top wood as Adirondack Spruce. Vintage Martin Dreadnought This consignment Martin D comes to the shop speaking with a very powerful voice and having had a few repairs that keeps the price very reasonable. One of only D s made by Martin in
Antique Vintage Guitars collector info
Formed in Chicago, Illinois, Washburn has been building stringed instruments since An American institution, Washburn has built guitars, mandolins, banjos, ukuleles, and more throughout the years. Many of the biggest names in folk, rock, and blues have played Washburn and some of the most significant trendsetting music has been played on a Washburn.
From early blues, to the inspiration behind the MTV Unplugged revival, to the modern day, Washburn has been a choice amongst the songsmiths of the day. It is this background that inspires us to create instruments for you and we hope you experience the exceptional value, playability and voice that is Washburn.
Gibson’s F O N System. In the early years Gibson also used Factory Order Numbers (F O N) to track batches of instruments being produced at the time. For information on FON numbers a copy of The Blue Book of Electric Guitars by Zachary R. Fjestad should be .
Ring Excellent Condition, all original Here is a wonderful example of an early Stauffer terz. Stauffers are actually known mostly for the fact C. Martin claimed to have worked at this workshop! Martin on his very first guitars announced that he was a pupil of Staufer of Vienna. Stauffer was one of the most highly respected makers of the 19th century, and Martin used this fact to gain his reputation in his early NY days.
There were a few Stauffer makers sometimes spelt Stauffer ; J. Stauffer, then the Stauffer company. It has never never been properly established exactly what training Martin received from which Stauffer. As with early Martin guitars the neck is adjustable via a clock key. Having a string length of just mm, this guitar is a terz model, i. There are 22 frets and thus a high F is obtainable. This example has a Spruce soundboard, birds-eye maple back and sides and a chekered ebony and ivory neck.
Martin Guitars, a History by Mike Longworth. Guitars are property of individual owners.
Gibson Guitars Serial Numbers Decoder
Martin built his first guitars in the ‘s with the same ladder braces seen on the guitars of his mentor, Stauffer, in the Viennese tradition. Martin ‘s Renaissance This ‘s presentation Spanish Style Martin adds a finger brace to the treble side. Interestingly, while Martin had built X braced guitars from the late ‘s for most of their better gut string guitars, Martin chose to revert to fan bracing for their first steel strings.
Martin Ditson 2 Martin continued to build their guitars with a “Popsicle brace” for support under the fret board on all of their 12 fret guitars.
Martin discontinued the Sigma line in , and in the German company “AMI Musical Instruments GmbH” (AMI) acquired the rights to the brand from C.F. Martin and relaunched Sigma Guitars worldwide.
Depending on who you ask, the guitar was born in any one of the regions in the ancient world, stretching from Greece to Persia. Perhaps it was born in all of them. Some people place older instruments like the lute or oud as early versions of the guitar. Others dispute this, arguing that the early guitar-like instruments with a long neck and flat back, have little in common with the short neck, round bodied instruments like the oud and lute.
What we know is that the oldest surviving guitar-like instrument is a tanbur from Egypt, circa BCE, owned by a musician named Har-Mose. A tanbur was a three-string instrument with a long neck and pear-shaped sound box. The instrument is on display at the Archeological Museum in Cairo. There are also representations of guitar-like instruments in ancient carvings, such as a year-old Hittite carving found in Turkey.
From there, names like guitarra, chitarra, and guiterre popped up in Spain, Italy and France. Development of the acoustic guitar in Europe Because all these precursors to the acoustic guitar were so mobile, merchants and sailors from the ancient world brought them to Europe. Variations of the Persian chartar, a four-string instrument, are found in carvings and illuminated manuscripts throughout Europe dating from ancient Rome through the Middle Ages.
The earliest known guitar music was written for the four-string chitarra in Spain in the 16th century. Instead of four single strings, the chitarra had four courses of string a course is two or more adjacent strings that are closely spaced relative to the other strings, and typically played as a single string. The Italian version from the same period had five courses.
The Marketplace for Musicians
Martin had first tried building ukuleles in , but with little success. A few years later America had a severe case of Hawaiian music fever, prompting Martin to try once more at finding a way out of the economic rut that had plagued the company for decades. By the time Frank Henry made a second attempt at building ukes in the company probably had a chance to inspect a genuine Hawaiian instrument, such as those made by Manuel Nunes or Jonah Kumalae.
Fender Tube amp codes: – (look for a 2 letter code stamped on the tube chart inside the back of the amp)- the first letter is the year, and the second letter is the amp stamped NA would have been made in Jan. of Here is a list of the first letter showing the year of manufacture.
From the vibrant stained glass ceiling to its lush interior woodwork, Oster has created a space that is both grand and intimate. This collection represents the largest group of pre guitars outside the Martin Guitars Museum. This guitar features ivory around the peg head, German silver tuners, and mother-of-pearl buttons. An interest that started with a small collection of Philadelphia-made S. Oster opened his first shop in Chestnut Hill in and by , he was able to move into a bigger space on Walnut Street in Center City.
Behind this ambition for growth was a man driven by the devil in the details.
Len Verrett’s Guitar Collection
I’ll work with you on whatever you need for however long it takes for you to feel comfortable about a purchase. To ask questions, for more info or pics or to inquire about the purchase of a guitar, you can email me at src vermontel. Otherwise, let me know how else I can help – email me with questions, availability, or payment options. This rebuilt example brings back the heyday of classic looks, tone and appointments. The prewar parlor size model has always been a favorite of mine, especially when it retains the original label and date stamp.
Dating a Martin: Go slowly. Finger only the lower frets on the early dates. Easy on the strumming until she/he warms up. Offer sweets but keep them out of the sound hole. Rest the lower bout gently on your thigh. Consider dinner out but call ahead to be sure they have a high chair. Ughsorry.
Until the brand read “C. Martin New York”, when it was changed to “C. In the brand was finally changed to C. Some pre guitars have the date penciled on the top just inside the sound hole. The size and style designation was written on a paper label, glued inside the top of the instrument case. Beginning in the model numbers were marked on the neck block, inside the body.
Martin also built mandolins introduced in , ukuleles introduced in , taropatches an 8-stringed ukulele , tiples a stringed ukulele , Hawaiian guitars, and tenor banjos in plus a few custom instruments.
Argus des guitares GIBSON
Top Borders and Rosettes on Martin Guitars Early Martin Guitars In the days before the standardization of sizes and styles in the ‘s, the dimensions and features of Martin guitars varied from one example to the next. Certain features or themes, however, have been repeated from Martin’s earliest days until today. While it is possible that less valuable examples with simpler features have not survived the years, the lack of existing examples of plainer, less adorned C.
WITH HIS LATEST PRODUCTION. Frank Bungarten breaks new ground in the history of guitar recordings. For the first time—and after years—the music of Johann Kaspar Mertz, the last of the great Viennese virtuosos, comes alive again on the spectacular original instrument.
Only the most famous builders from the earliest 6-string guitar through the 19th century are discussed on this page. This site presents only the most rudimentary basics of the topic. There were numerous 19th century builders, in fact probably hundreds of luthiers. For many of these makers, perhaps only a handful or even only 1 guitar survives.
Just like today, some builders made expensive, highly-prized concert guitars, while other makers made cheap household guitars, and every level inbetween. Some makers achieved great playing guitars with tremendous power and tone, while others made ornate instruments for social graces. There were plain-looking guitars for musicians which often have surprisingly good tone quality and power , and ordinary household guitars for students.